Layouts
#L3301
ensemble poster design — Oversized typography poster, with top title and monochrome
L3301 · ensemble poster design — Oversized typography poster, with top title and monochrome. Explore the reference image and prompt, then open this composition in the layout tool.

Reference details
- Layout ID
- L3301
Reference prompts
Layout reference prompt
A horror-thriller movie poster shows a large black-and-white class group photograph beneath enormous blood-red brushstroke lettering, set against a textured charcoal-black background. Across the upper half, the huge jagged red lettering splatters and drips like wet paint, reading as "TITLE", its strokes torn and uneven. In the upper-left corner, thick red paint streaks arc outward with scattered droplets. In the upper-right corner, finer red speckles spray across the black ground. In the lower two-thirds, roughly forty adult men and women in their twenties dressed in dark school uniforms sit and stand in formal class-photo rows, photographed in grainy monochrome. Their faces are small and unsmiling, arranged in three visible rows that span the full width of the frame, the tallest row standing stiffly at the center with hands at their sides. Scattered across the group, seven large red X marks are painted over the faces of individual adults: one near the left edge, two clustered at the lower-left, three spread through the center rows and one near the lower-right. In the mid-left area, the painted X marks drip downward like fresh blood. Behind the group, the background remains a flat dark void with faint mottled texture. Along the bottom edge, dark granular noise and faint scratches fade the photograph into black, with tiny white speckles like ash drifting across the foreground. At the top-center, red drips fall from the lettering onto the upper row of heads. In the bottom-right corner, the last student's uniform fades into the grainy dark. A faint horizontal crease crosses the photograph near the middle, like a fold in the print. In the upper-right corner, a thin red scratch arcs down toward the standing row. The lighting is flat, documentary-style frontal lighting on the class photograph, while the red lettering glows with a wet, freshly painted sheen against the matte black surround. The palette is stark and violent: bone white, ash gray and ink black, slashed through with visceral crimson red. Overall, the composition balances the oppressive red title mass against the rigid grid of uniformed adults below, its raw graphic style radiating dread, finality and chilling menace.