two-character poster — Serif type, stacked lines, overlapping elements

A horror-thriller movie poster split by a torn paper seam between a hot-pink duotone portrait and a photographic embrace, set against a blazing magenta field. The entire background is divided by a jagged vertical tear running from the top edge to the bottom, its white ripped-paper edge visible along the seam. On the left side of the tear, the field is a flat, saturated hot pink, nearly textureless except for a faint grain. In the upper-left quadrant, a large adult woman's face appears in three-quarter view, rendered in a harsh pink-and-black duotone, her wide eye looking upward while her mouth is obscured by a dark, cloth-like shape. Her dark hair dissolves into the black shadows pooling at the bottom of her portrait. At the top of the frame, the tear begins near the center and curves slightly left as it descends. In the upper-right corner, a photographic scene shows an adult man with a dark mustache standing close behind an adult woman with long dark hair, his arm wrapped around her torso and her pale hand resting on his forearm, her eyes closed and her head tilted back. On the right edge of the frame, a pale pink wall fills the space behind the couple, blurred into soft rose and peach tones. In the center-right of the frame, the man's light shirt collar is just visible at his neck. In the middle of the tear, the white paper fibers of the rip catch the light, and a sliver of the pink field overlaps the photograph like peeled paper. At the bottom of the frame, a large cream-colored serif uppercase "TITLE" is stacked in two centered lines, the first a single large word and the second pairing a smaller word with a large final word. The title's cream letters sit half over the pink field and half over the dark photographic half, bridging the torn seam. At the lower-left corner, the pink field continues uninterrupted below the title. No other text is legible on the poster. The lighting is a harsh, high-contrast magenta wash on the left half that flattens the duotone face into pink and black, while the right half uses warmer photographic light pooling softly on the couple's skin and fading into deep red shadow. The composition balances the flat acidic-pink void on the left against the photographic embrace on the right along the torn vertical seam, in a bold pop-art-meets-horror style whose palette of hot pink, arterial red, and bone white carries a mood of lurid, intimate menace.