split-screen poster — Bottom Title, Oversized Title, Serif

A split-layout movie poster divides the frame into a photographic panel on the left two-thirds and a plain cream panel on the right third, set in a warm, nostalgic domestic style. The background of the left panel is a softly lit Japanese interior: a pale wall, a wooden sliding door, and a glowing shoji window on the right side of the panel. Across the upper third of the left panel, the ceiling line of the room runs dark and out of focus behind the figures' heads. In the upper-left corner, a narrow vertical strip of white wallpaper patterned with small green leaf motifs runs the full height of the panel. At the center of the left panel stand two adults side by side, an adult woman and a middle-aged adult man, both looking directly at the viewer. The woman has dark hair swept into an updo, fair skin, and a calm, gentle expression. She wears a short-sleeved gray blouse with a small collar and dark buttons, and a high-waisted, knee-length crimson skirt. Her feet are bare, resting on the pale wooden floor. The man beside her has short graying hair, a thin mustache, and a composed, slightly tired expression. He wears a dark charcoal-gray suit, a white shirt, and a muted gray tie, with dark socks and no shoes. On the right side of the left panel, the shoji window glows with diffused daylight behind him. In the lower-left corner of the left panel, a small red-patterned glass tumbler sits on a low wooden table. Across the lower third of the left panel, a large cream-colored serif title reads "TITLE", its letters overlapping the figures' lower bodies. The lettering is elegant and generously sized, with classic roman proportions and no shadow. On the right side of the frame, the cream panel stands empty except, at its vertical middle, for a small circular hand-drawn illustration in red, black, and green, beside a tiny outlined cup. The little drawing is naive and delicate, a decorative emblem rather than a photograph. In the upper-right corner of the frame, the cream panel meets the top edge in clean emptiness. In the bottom-right corner, the cream panel continues uninterrupted to the frame's edge. Along the bottom edge of the left panel, the pale floorboards run to the frame's edge. The lighting is soft, diffused interior daylight, warm and even; shadows are gentle, skin tones are smooth, and the exposure is bright with a vintage color cast. The composition balances a posed domestic portrait against a large field of quiet negative space, rendered in a vintage photographic style with a palette of warm cream, soft gray, crimson, and charcoal, producing a mood of tender, wistful family nostalgia.