split-screen poster — Split layout, serif type, vivid palette

An illustrated cinematic movie poster in a bold split-layout design, with a dark violent vignette across the top and a flat blood-red field filling the lower two-thirds. Across the upper third, a dark painted scene shows an adult blond woman lying on her side on a dark desk, apparently struggling, while an adult man in dark clothing presses over her from the left. In the upper-left corner of the vignette, a swirl of yellow lamplight glows behind the man's shoulder. The woman's right arm reaches out stiffly toward the right edge of the frame, her fingers splayed in desperation. On the right side of the dark scene, an old-fashioned black rotary telephone sits on the desk, its coiled cord dangling downward. The vignette's left edge bleeds into solid blackness. A thin horizontal line divides the dark scene from the red field below, like a shelf edge running the full width of the frame. Across the middle of the frame, the red field dominates, flat and intense, with a soft darker vignette blooming behind the central text. On the right edge of the frame, a black telephone handset hangs from its cord against the red, the cord trailing upward to the desk above. The handset casts a faint soft shadow on the red surface beside it. Near the center of the frame, a four-line title ("TITLE") is rendered in a vintage rounded serif typeface, white with a dark outline and enclosed in quotation marks. Its second line is a single large red capital letter inside a white rectangular box, smaller in height than the surrounding lines but visually dominant. The lettering style is playful and old-fashioned, sharply contrasting with the dark violence depicted above it. The lighting is theatrical and high-contrast, with a harsh warm spotlight from the upper left raking across the struggling figures and glinting off the telephone, while the red lower field glows flatly and evenly with no visible shadows. The palette is starkly divided between murky browns and blacks in the upper vignette and a saturated blood red below, punctuated by the white title lettering and the pale blond hair. The illustration in the dark scene is loose and painterly, with visible brushwork in the figures. The composition balances the compressed dark tableau of violence across the top against the vast empty red field and dangling handset in the lower two-thirds, in a palette of blood red, murky black, and stark white rendered in a bold mid-century poster-illustration style, with a mood of lurid suspense and imminent menace.