close-up portrait composition — Extreme close-up, centered composition, symmetrical layout

A photographic thriller movie poster in dark, shadowy tones presents an extreme close-up of an adult woman's face filling nearly the entire frame, set against deep black shadow with a metallic title across the lower third. Her face is centered, cropped by all four edges, so that her forehead touches the top edge and her chin nears the bottom edge. In the upper portion of the frame, her dark brown eyes stare directly and unblinkingly at the viewer, each iris catching a pinpoint of reflected light, the left eye ringed by a faint reddish glow. Above her eyes, a broad smear of vivid neon-green war paint stretches across her forehead, its edges rough and textured like crushed pigment. A second band of the same green paint sweeps across the bridge of her nose and both cheekbones, flaking and uneven at its borders. A thin drip of the green pigment trails down her left cheek, suggesting the paint was applied hastily. Her eyebrows are dark and straight, partially obscured by the paint and by loose strands of hair. On both sides of the frame, long dark brown hair falls in loose, slightly tangled strands, framing her face and dissolving into the black background at the edges. A few fine strands cross over her forehead and cheek, catching faint highlights. Her nose is centered in the middle of the frame, softly modeled by dim light, nostrils in gentle shadow. In the lower third, her full lips are slightly parted, their natural dark-rose color muted by shadow, with a small vertical highlight on the lower lip. Her skin shows fine texture, pores, faint blemishes, and a sheen of moisture, rendered in intimate detail. Across the bottom of the frame, the title appears reading "TITLE" in large metallic silver block letters with a scratched, claw-marked texture and beveled edges that catch a cold gleam. The silver letters overlap her chin and the dark hair at the bottom edge, anchoring the composition. Deep shadow pools in the corners and along the sides of the frame, swallowing the background entirely. The lighting is a dim, near-frontal key with a faint cool fill, barely lifting her features from the surrounding blackness while the green paint glows with an almost luminous intensity against her skin. The face-filling crop, centered and symmetrical, balanced by the heavy metallic title below, composes a confrontational portrait where the black, skin-tone, and neon-green palette of the gritty photographic style carries a mood of feral, hunted intensity.