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#L3354

horror poster design — Four-Line Black Serif Title Over Yellow Disc

L3354 · horror poster design — Four-Line Black Serif Title Over Yellow Disc. Explore the reference image and prompt, then open this composition in the layout tool.

L3354 · Four-Line Black Serif Title Over Yellow Disc

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Layout ID
L3354

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Layout reference prompt

A vintage horror movie poster is set against a bright cyan-blue ground, its lower two thirds commanded by giant black serif typography layered over a large lemon-yellow disc. The horizontal bands divide the poster into three strict zones, the top two thin and the bottom one deep. Across the very top of the frame, a band of solid black night holds the pale upper half of a full moon, its cratered face rendered in soft gray-white. Just below the black band, a slate-gray strip spans the full width, carrying a bright orange-red half sun that sinks behind the boundary into the blue field. The transition between the bands is a hard, razor-straight edge with no gradient. In the middle of the composition, the lemon-yellow disc fills the central band like a second, smaller sun. At the heart of the disc, an adult man's decaying face emerges from behind the letterforms, its skin etched in fine crosshatched lines and its eyes glowing a dull blood-red. On the left side of the face, the etched cheek dissolves into the yellow ground, suggesting a second, half-formed profile behind the first. Across the disc and face, a "TITLE" in four stacked lines of massive black serif capitals with sharp pointed serifs dominates the lower half, each line growing wider than the last. The bottom line of the title is the largest, its feet resting near the lower third of the frame. In the lower-right corner, a tiny trademark mark sits beside the final letter of the title. Beneath the title, a dark navy reflection of the letterforms mirrors downward, warped as if cast on still water. The reflection stretches to the bottom edge, its blue shapes fragmenting against the cyan background. Along the left edge, the blue ground remains unbroken, giving the black letters room to breathe against the flat color. No other figures, objects, or credit lines appear; the poster is an exercise in flat graphic shapes. The lighting is flat and graphic, like screen-printed poster art, with no cast shadows, the yellow disc radiating an even glow behind the black letters while the etched face is modeled only in fine hatching. Overall, the composition balances heavy black typography against open flat color fields, its cyan, lemon-yellow, orange-red, black, and slate-gray palette carrying a retro 1980s horror-print style with a bold, ominous, theatrical mood.