two-character poster — Split screens and hacker pair under central title

A retro techno-thriller movie poster split between a wall of glowing surveillance screens and an adult hacker in his twenties at a terminal, set against a field of deep black. Across the upper third, a darkened military command room glows with a wall of eight framed display screens showing neon line-map graphics in cyan, red and green. On the upper-left screen, a world map traced with arcing missile-trajectory lines carries a small white caption reading "MISSILE WARNING" in block letters. On the upper-right screen, another map carries a caption reading "SUB-LAUNCH DETECTION" above rows of target icons and connecting lines. Below the screens, small strips of red, white and blue indicator lights blink in horizontal rows. In the middle ground beneath the wall, a dim control room stretches out with rows of computer consoles, scattered operators at desks, and two standing figures seen from behind. Across the center of the frame, a huge title ("TITLE") in bold rounded scarlet-red uppercase letters stretches edge to edge, its letters slightly inflated and overlapping. Below the title on the right side of the frame, an adult man in his twenties with curly brown hair sits hunched at a beige desktop computer, seen in three-quarter rear view. An adult woman in her twenties with long reddish-brown hair leans over his shoulder from behind, her arm resting on the back of his chair, her face half-lit. The man's right hand hovers over the keyboard, and the monitor glows with the same cyan map graphics as the wall above, reflecting both adults' faces in the glass. He wears a faded slate-blue sweater, she a deep red top. In the lower-left and lower-right corners, nothing but black remains, leaving the pair floating in darkness. The wall screens are the brightest elements, their white frames rimmed with light against the black. The screens' vector-style maps use thin luminous strokes on black backgrounds, with small red squares and white dots marking targets. The lighting is dominated by the cold electronic glow of the screens themselves, casting pale cyan and faint red reflections across the operators' faces and console edges, while the lower half relies on the single soft monitor glow that rims the two adults' profiles against the black. A symmetrical horizontal split balances the dense glowing screen wall above against the intimate dim vignette of the two adults below, rendered in a photographic nineteen-eighties style with a stark palette of phosphor cyan, alarm red and velvet black that sustains a mood of tense technological dread.