split-screen poster — Bottom title, multi-line title, stacked type

A photographic drama movie poster in a stark split-layout design divides the frame horizontally into a red-tinted forest scene above and a near-black portrait below, with a tall condensed title running down the left-center. Across the entire upper half, a dense forest of trees and undergrowth is washed in an intense, unnatural crimson red, the foliage rendered as dark tangled shapes against the glowing red. In the upper-right quadrant, five adult figures sit half-hidden among the red bushes: their faces and dark clothing emerge dimly from the foliage, gazing in different directions with weary expressions. On the upper-left side, two more seated adult figures are partially visible through the red leaves, one with arms crossed. The red wash is uneven, with darker maroon shadows pooling between the trunks and branches. The title is arranged in three stacked lines along the left and center: the top line reads "TITLE" in tall, narrow muted-green sans-serif uppercase letters spanning the upper red field. Below it, the middle line reads "TITLE" in the same tall condensed style but in off-white, overlapping the boundary between the red forest and the black lower half. The bottom line reads "TITLE" in large off-white condensed uppercase letters, set against the black field and extending from the left edge toward the center. The muted green of the top title line echoes the green light on the soldier's face below, tying the two halves together. Across the lower half, the background falls into near-total blackness, with only faint hints of foliage texture in the dark. In the lower-right quadrant, the green-lit profile of an adult man emerges from the black: he wears a camouflage military helmet and has camouflage paint streaked across his cheek, his gaze lifted upward and to the left. The eerie green light sculpts his cheekbone, nose, and helmet rim while the rest of his face sinks into shadow. His shoulders, clad in camouflage fabric, dissolve into the surrounding darkness at the bottom edge. In the bottom-left corner, the black field is empty and unbroken, balancing the lit profile on the right. Small white speckles, like dust or film grain, dot the black lower field. The lighting is theatrical and high-contrast: the upper half glows with a flat, blood-red wash while the lower half is lit by a single green source from below-left, carving the soldier's profile out of pitch black. The hard horizontal split between the red forest tableau and the black green-lit portrait, balanced and unified by the towering condensed title, composes a confrontational diptych where the blood-red, acid-green, and black palette of the stylized photographic style carries a mood of somber, defiant unease.