poster headline design — Silhouette, Split Layout, Oversized Title

A pop-art crime movie poster splits into a black upper zone with a high-contrast portrait and a white lower zone, centered on a magenta-and-yellow adult man aiming a handgun through a shattered-glass burst. The upper background is solid black, flat and untextured, filling the top two-thirds of the frame. In the upper-left corner, the black field meets a thin vertical strip of white paper edge. Across the top of the frame, the blackness presses down over the portrait. On the right side of the frame, the adult man's face appears in harsh posterized magenta and bright yellow, cropped by the right edge, his narrowed eyes and mustache rendered in graphic flat tones. His dark hair merges into the black background. Near the center of the frame, a large revolver in the same magenta and yellow aims diagonally toward the left, its muzzle foreshortened. In the center of the composition, jagged white shards of shattered glass explode outward from a bullet hole, radiating toward all edges, each shard a sharp angular sliver. On the left side of the frame, the white burst of the bullet impact blooms against the black, its cracks spreading upward and rightward like lightning. In the upper-right corner, the yellow-lit edge of the man's forehead nearly touches the top. Across the lower third, the black zone ends in a hard horizontal edge above a broad white band. At the center of that band, the "TITLE" sits in huge bold black mixed-case letters in a rounded modern sans-serif. Below the title, along the bottom of the frame, small black silhouettes show a running adult man, a tall building with arched doorways, and a bridge-like skyline stretching to the right. In the lower-left corner, the tiny running figure sprints beside the arched doorways, his coat flaring behind him. Along the left edge of the lower band, a second small silhouette stands near the building's dark arch. In the lower-right corner, the white band runs clean to the edge. The lighting is graphic and artificial rather than natural, with the upper zone flattened into stark poster contrast where magenta and yellow shapes carry the light, and the lower white band lit evenly like a blank page, the tiny black silhouettes reading as pure shadow shapes. The overall balance stacks the violent graphic burst above the calm white title band, pairing acid magenta and hot yellow against black and white in a bold 1970s pop-graphic style, and the mood feels explosive, brash, and confrontational.