Saner style reference and prompts

The style presents bold mural painting on a visibly weathered masonry surface. Saturated red fields contrast with slate blue and teal masses, while pale ochre accents establish a circular focal rhythm. Broad angular planes and selective dark contours simplify volume without eliminating internal shading. Scuffed pigment, fine cracks and block seams remain visible across the painted areas, giving the flat geometry a physical, worn texture. A strong diagonal crosses the central mass and an incomplete circular shape, with small irregular marks softening the surrounding field. Even ambient light preserves the colour-block contrast and the rough surface detail.

A square view of a painted urban mural shows a skeletal knight riding a blue-grey horse in front of a vivid red rectangular field. The painting occupies a weathered masonry wall, with visible block seams, scuffed pigment and narrow grey borders around the red area. A strip of real dry grass and rough pavement runs along the foot of the wall. Within the mural, the horse faces left, its pointed ears and long muzzle outlined against the warm background. Cool teal and slate planes model its neck, chest and body, while dark reins loop from its head towards the rider. The rider sits upright in blue-grey armour with muted ochre accents at the waist and joints. A bare pale blue skull faces left above the armoured shoulders, its dark eye sockets and teeth clearly marked. A deep red cloak falls from the shoulders down the right side of the mounted figure. One bent leg is visible against the horse, and the lower forms partly merge with painted grass and low silhouettes along the mural's base. A long ochre shaft crosses diagonally from the lower middle towards the upper right, ending in a broad pointed spearhead. Behind the skull, an uneven pale orange circular ring is partly concealed by the figure and shaft, with red remaining visible inside it. Dark blue skyline-like shapes rise along the bottom, especially to the left, where thin towers contrast with the horse's broad body. Small scattered marks interrupt the otherwise red field. The painted forms use broad angular colour planes and selective shadows, while the wall's rough grid remains visible through the image. Even ambient light reveals both the mural and its masonry surface. The red rectangle, circular halo-like ring and long diagonal spear organize a compact mounted silhouette into a bold, weathered street-art composition.