Jaume Capdevila style reference and prompts

Surreal hand-drawn collage layers cut-paper-like flat shapes, rubbed pencil marks, thin painted washes, and worn printed texture. A parchment cream field supports dusty blue-gray, sepia, tobacco, muted rust, and near-black blocks. Large simplified angular and rounded forms sit before a dense shallow matrix of tiny repeated details. Contours are thin, slightly irregular, and sometimes partially erased; small hatch marks and scuffed patches make the surface feel old and handled. Light is broadly even with a gentle paper glow and little cast shadow. Depth arises through overlap and shifts in scale rather than naturalistic perspective or blur. A quiet pair of dark vertical anchors can organize a busy upper field, while small floating marks create odd, airy intervals. The rhythm alternates intimate stillness with crowded miniature incident. The finish is melancholy, whimsical, and visibly assembled by hand.

A surreal hand-drawn collage shows a solemn father and a small child standing in the foreground of an imagined old city. The adult has an elongated black coat and a large angular paper-like face, while the child is drawn with an oversized round head, dark bobbed hair, and a simple blue dress. Behind them, patched cream, slate-gray, and faded ochre buildings stack into a dense shallow skyline of balconies, towers, doorways, and narrow windows. An old propeller airplane crosses the upper left, and tiny birds and abstract cloud shapes scatter through the parchment-colored sky. The scene feels assembled from cut paper, worn print, pencil, and thin paint rather than rendered as seamless space. Flat facial planes are softly shaded in peach and gray, while the buildings carry rubbed textures, small hatch marks, and partially erased outlines. The near figures are distinct because their black silhouettes and simplified faces contrast with the busy architectural field. The palette remains muted: sepia cream, dusty blue-gray, tobacco brown, small rust-red roofs, and near-black clothes. Light is even and diffuse, giving surfaces an aged paper glow with little cast shadow. The composition rises vertically, with tiny repeated details above and a quiet pair below. There is a slight dream logic in the scale and juxtaposition, but the image stays emotionally legible through the two still figures and the melancholy distance in their eyes.