Jonathan Adler style reference and prompts

Use maximalist editorial interior photography with a disciplined geometric skeleton and exuberant color. Repeat nested squares, circles, stripes, and stepped motifs at several scales, while keeping the arrangement legible through balanced placement. Pair burgundy and deep neutrals with teal, orange, pink, yellow, and brass-gold accents. Contrast plush upholstery, polished metal, glass, patterned textile, and stone under warm mixed illumination. Let a large central graphic field anchor smaller coordinated details below and around it. Keep the camera level and the material surfaces tangible. The overall effect is playful, luxurious, and curated, combining visual abundance with strong rhythm and symmetry.

A square editorial interior photograph shows an exuberantly styled living room seen straight on. A large abstract painting hangs in the center above a long low cabinet. The artwork layers broad teal, ocher, orange, and pink panels around a bold dark circle enclosed by a red ring. The cabinet below has a grid of repeated nested-square motifs in red, black, and gold. A rounded white lounge chair with a faint pale pattern sits in the left foreground, balanced by a smaller light chair at right. Between them stands a low brass-framed glass coffee table holding a dark turquoise bowl and several small decorative objects. Beneath the seating, a vivid rectangular rug carries interlocking stripes and stepped shapes in red, orange, pink, purple, blue, and yellow. The room's side walls are deep burgundy while a central pale stone or marble wall provides a light backdrop to the painting. Tall gold shelving units frame both sides and hold small pottery and sculptural pieces. Warm lamps and daylight together create rich but controlled highlights on brass, glass, upholstery, and polished floor. The composition is highly symmetrical in furniture placement, yet the colors and objects add lively variation. Surfaces alternate between plush fabric, glossy metal, patterned textile, painted canvas, and stone. No people, visible brand names, signs, or readable text appear. The result is playful and luxurious, with strong geometric repetition connecting art, cabinet, and rug without flattening the tangible room.