Guillaume Corneille style reference and prompts

A dense modernist image consists of flat geometric cutouts, thick black contours, and small symbolic compartments. Angular pieces meet arcs, circles, oval accents, stripes, and hand-drawn irregularities in a playful arrangement. A bold, limited palette combines wine red, ocher, coral, violet, muted blue, cream, and black. Even, graphic illumination leaves overlap and color adjacency to establish depth. A lightly grained printed or painted surface covers a balanced square composition, with large legible forms moving rhythmically among intricate supporting marks.

The image is a square modernist painting built from two large, front-facing faces pressed close together. Heavy black contours divide their features into flat geometric pieces. The left face has one wide almond eye, a red mouth, and a cheek assembled from plum, pale blue, white, and brick-red shapes. The right face holds two differently colored eyes, a long angular nose, and red lips inside a pale oval framed by mauve and orange planes. Their heads nearly touch at the center seam, yet each remains a separate visual rhythm. Below them, narrow necks and shoulders dissolve into stacked rectangles, semicircles, cups, stripes, and small patterned compartments. Above, circular sun or moon motifs sit against a deep burgundy field. A slim pale margin contains the composition like a printed artwork. Every element appears as a deliberate cutout of solid color, with a faint grain of canvas or ink rather than smooth digital gradients. Black outlines and negative spaces hold saturated yellow, crimson, purple, salmon, and blue-gray pieces in a crisp interlocking arrangement. The lighting is graphic and even; depth comes from overlap, scale, and contrast instead of modeled shadow. Playful asymmetry and a dense but balanced square composition leave the two faces immediately readable within the abstract structure.