Walasse Ting style reference and prompts

A densely packed impasto oil painting driven by oversized, overlapping color shapes and highly visible brushwork. Build forms with thick, dragged, sometimes scraped pigment; let broad creamy marks meet short incisive accents. Place vivid pink, cobalt blue, orange, yellow, and green against pockets of near black blue violet so color creates its own light. Keep edges irregular and energetic, allowing neighboring shapes to press into one another without losing a clear central anchor. Suggest fine details only through a few contrasting dabs; preserve the direct physical presence of paint over precise delineation. Fill the square frame nearly to every edge, with little open background and a buoyant, unruly rhythm. The result should feel tactile, immediate, and exuberantly chromatic.

An exuberant impasto oil painting fills the square canvas with an overlapping garden of oversized flowers. At the center, a broad pink blossom opens toward the viewer, its five irregular petals shaped by thick directional strokes and a small dark green center held slightly below the middle. A bright yellow patch rises immediately behind it, while saturated cobalt blue blossoms occupy the upper left and lower left corners. Around the central flower, smaller orange, red, and pink blooms push into the picture from every edge, with green stems and foliage threaded through the narrow spaces between them. The background is a deep, almost black mix of blue and violet, visible only in broken pockets, so each bright color appears to jump forward. Paint remains visibly raised, scraped, and dragged; some marks are broad and creamy, while others are short sharp accents that suggest leaves, stamens, or shadows without tightening into botanical detail. The composition gives no open horizon or empty breathing room, yet the large pink form provides a calm visual center amid the crowded rhythm. Light is conveyed through the clash of luminous pigment rather than a depicted sun, with cool blues and warm oranges intensifying each other. The whole image feels immediate, tactile, and joyfully unruly, like a close view of color in full bloom.