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#2411

Steve Dillon style reference and prompts

Explore the “Steve Dillon” reference with hatching, scratch-like marks, and close cropping. View the images, copy the style or example prompt, and discover related styles on Looksift.

Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.

Steve Dillon style reference and prompts — Qwen Image 2.1Qwen Image 2.1
Steve Dillon style reference and prompts — GPT Image 2.5GPT Image 2.5

Reference details

Reference ID
2411
Category
Ink & line

Reference prompts

Style prompt

Graphic-novel illustration pairs precise black contours with distressed washes of muted tan, olive, charcoal, and bruised red. Smooth pale focal planes sit against a chipped, cracked ground, so texture contrast helps establish focus. Short hatch marks and fine scratches roughen shadows and worn areas without overwhelming the main silhouette. Shallow space and close cropping compress the composition, while soft overhead side light keeps the bright planes readable against dark lower masses. The finish feels printed, gritty, and emotionally taut.

Full example prompt

A square graphic-novel illustration shows a blonde young woman sitting on the ground with her knees drawn tightly up against a worn interior wall. She fills most of the narrow view, looking directly outward beneath a dark headband with a guarded, unsmiling expression. Pale straight hair falls to the shoulders, with a long side-swept fringe crossing the forehead. A dark charcoal short-sleeved top covers the torso, its fabric marked by muted blue and purple shadows. Her bare knees rise high in front of her chest, creating two large pale rounded forms in the center. Heavy black lace-up boots occupy the lower foreground, their shafts and crisscross laces rendered with precise dark lines. To her left stands a tall cylindrical metal container or canister, partly cropped at the bottom, with olive-brown highlights on its worn surface. Behind her, the wall is mottled tan and olive with large peeling crimson patches, fine cracks, and a faint circular mark to the right. The background texture surrounds her without creating deep space; it reads as a close, weathered plane. Fine black contours define eyes, hair, knees, and boot hardware, while distressed color washes and small scratches give the wall a rough, printed feel. Light falls softly from above and slightly left, catching the pale hair and legs and leaving darker folds under the arms and around the boots. No legible writing appears. The overall composition is compressed and tense, balancing a still, watchful face against large knees, dark boots, and the fractured red wall.