Styles
#2531
Jack Butler Yeats style reference and prompts
Explore the “Jack Butler Yeats” reference with thick paint texture and pale neutral tones. View the images, copy the style or example prompt, and discover related styles on Looksift.
Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.
Reference details
- Reference ID
- 2531
- Category
- Painting
Reference prompts
Style prompt
Expressionist oil painting keeps thick, wet-looking brush ridges and directional slashes visible across the whole image. Build atmosphere from turbulent cobalt, electric blue, teal, violet, and a few warm red-orange fragments, then break it with a sweeping cream and lilac light mass. Place a simple dark vertical focal silhouette against the active color field; a small secondary accent can steady the lower edge. Forms remain recognizable but their edges participate in the movement of paint. Light comes through color and impasto contrast rather than exact naturalistic shading. The transferable effect is solitary and emotionally weathered, with restless texture surrounding still structure.Full example prompt
A square expressionist oil painting depicts a solitary man in dark formal clothes standing near a wind-tossed shore beneath an immense blue sky. He occupies the left half, turned in profile toward the right, hands tucked into his coat pockets. His black jacket, vest, and trousers form a long vertical mass; a narrow pale shirt and tie show at the throat. Short dark hair and a serious side-facing expression are indicated with a few firm warm and cool strokes rather than fine likeness. Near his feet at the lower right, a small brown dog sits or crouches facing toward the water. Behind them, a low band of turquoise-green sea runs across the middle, with scattered red, yellow, and pink paint fragments suggesting reflections or land at the horizon. Above, the sky churns with broad electric-blue and ultramarine strokes, interrupted by a large streak of cream-white, pale yellow, and lilac cloud sweeping diagonally behind the man's head. Below, the shore is a broken mosaic of cobalt, teal, green, violet, and occasional orange. Thick wet-looking brush ridges and dragged, slashing marks remain visible across every part of the canvas, making the atmosphere feel as active as the figures are still. Light is implied through pale cloud and bright patches on water, while the man stays a dark silhouette with a few cool blue glints. The composition sets a quiet pair against expansive, restless painted weather.