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#3075

Jim Mahfood style reference and prompts

Explore the “Jim Mahfood” reference with scraped paint texture, scratch-like marks, and close cropping. View the images, copy the style or example prompt, and discover related styles on Looksift.

Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.

Jim Mahfood style reference and prompts — Qwen Image 2.1Qwen Image 2.1
Jim Mahfood style reference and prompts — GPT Image 2.5GPT Image 2.5

Reference details

Reference ID
3075
Category
Ink & line

Reference prompts

Style prompt

The ink-and-paint treatment opposes broad off-white planes to jagged black marks and warm salmon, coral, and hot pink blocks. Thick contours break into scratches, drips, and fine scrawl, keeping edges unstable without losing the main silhouette. Color is applied as flat fields and translucent stains rather than smooth realism. Small cool accents sharpen the warm palette. Graphic light comes from the paper left visible between dark strokes; shadow is a deliberate black shape. Layers of printlike marks and scraped pigment add urban grit around the clearer focal region. Close cropping lets forms continue beyond the frame. The overall effect is bold, restless, and tactile, with a comiclike clarity inside improvised surface noise.

Full example prompt

This is a square, high-energy ink-and-paint portrait of a young woman in a dark cap against a salmon-pink graphic background. Her face fills most of the frame in a three-quarter view, turned toward the left while one pale blue-gray eye looks outward. Loose black and pale pink hair strands sweep across the cheeks and around the cap brim. A hand rises from the lower left, with fingers resting near the lips, giving the close crop a thoughtful pause. Red circular goggle-like details sit along the top edge of the dark headwear, partly cut by the frame. Black ink defines the strong eyebrow, nose, mouth, fingers, and neck in thick broken strokes; pale cream areas remain almost unpainted, allowing the paper to act as light on the face. Behind her, pink and orange-red blocks, angular lines, scrawled black marks, and a few drips create an urban collage. The fragments are decorative rather than readable words. Light is presented graphically: large pale facial planes oppose broad black shadow shapes, with little smooth tonal modeling. Rough paint scratches, spattered dots, and transparent pink washes sit over and under the line drawing. The jaw and hand are sharp enough to hold attention, while hair and background marks break apart near the edges. The overall composition is cropped, restless, and expressive, balancing a quiet hand gesture with raw black line and loud warm color.