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#3227

Zhang Xiaogang style reference and prompts

Explore the “Zhang Xiaogang” reference with a nearly monochrome palette. View the images, copy the style or example prompt, and discover related styles on Looksift.

Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.

Zhang Xiaogang style reference and prompts — Qwen Image 2.1Qwen Image 2.1
Zhang Xiaogang style reference and prompts — GPT Image 2.5GPT Image 2.5

Reference details

Reference ID
3227
Category
Painting

Reference prompts

Style prompt

The oil painting sets a smoothly blended pale oval within broad matte charcoal and gray. Nearly symmetrical spacing and restrained features create a still central focus. A tiny warm accent interrupts the near-monochrome palette. Soft upper light gives gentle volume without sharp shadow, while scraped vertical marks and uneven patches roughen the surrounding field. The contrast between polished central surface and weathered outer texture produces quiet unease.

Full example prompt

A square contemporary oil painting presents a young woman from the chest up against a worn charcoal gray wall. Her head is centered and slightly bowed, with both eyes closed and a very small red orange mouth. Smooth pale skin forms an elongated oval that narrows toward the chin. Glossy black hair is drawn tightly back and parted in a fine vertical line at the top, making a dark rounded frame around the face. A black collared garment fills the lower part of the image and merges with the shadowed background. The wall carries subtle scratches, vertical scuffs and uneven gray patches, but no distinct objects or setting. A faint warm light from the upper left falls across the forehead and cheeks, with almost no hard shadow. The face is finely blended and doll-like, while the wall and clothing are matte and rougher. The palette is nearly monochrome, shifting through ivory, gray and black; the tiny warm mouth is the only vivid accent. The composition is formally symmetrical and very still, with the face held between wide dark margins. Its close crop and simplified features give the sitter an inward, suspended expression. The image feels quiet and uneasy, balancing polished smoothness against a weathered field.