Styles
#3813
Jeff Smith style reference and prompts
Explore the “Jeff Smith” reference with stippled texture, tactile surfaces, and dense detail. View the images, copy the style or example prompt, and discover related styles on Looksift.
Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.
Reference details
- Reference ID
- 3813
- Category
- Ink & line
Reference prompts
Style prompt
A finely worked monochrome pen style creates depth from stippling, layered hatching and varied line weight on warm paper. Organic masses become richly dark through accumulated miniature marks, while geometric planes retain clearer short strokes and paler interiors. White openings are preserved between dense clusters, keeping intricate texture from collapsing into solid black. Foreground contours are stronger, and distant areas thin toward near-blank paper. Diffuse daylight is expressed through the relative density of ink rather than gray wash; recessed joins hold the deepest value. A dominant textured mass is offset by a broad quiet margin, giving the composition both abundance and stillness. The finish feels patient, tactile and slightly enchanted.Full example prompt
A square monochrome pen drawing shows a small turreted house on a rocky rise beneath an immense spreading tree. The thick crown fills most of the upper half, its dark masses built from thousands of tiny ink marks and pale openings. A web of twisting branches emerges near the center, reaching across the roof and out toward the edges. The house stands slightly right of center and rises through the foliage, with several narrow towers, pitched roofs and tiny windows. Its pale stone walls are rendered in short parallel hatch marks, distinct from the denser stippled texture of the leaves. Below, broken steps and rough masonry terraces descend toward a quiet body of water at the lower left. The foreground shore is a patchwork of angular stones, dark plants and a few open strips of pale ground. Distant water and horizon remain largely blank, giving relief from the heavy detail gathered around the building and canopy. The image appears on warm off-white paper, with slight tonal variation where lines overlap. Line weight changes from fine architectural tracing to black knotted shadow beneath the tree. Diffuse daylight from the open left side makes the exposed stone and water pale, while inner branches and crevices deepen into ink. The overall composition lets the tree overwhelm the tiny architecture, balancing intricate organic weight against a calm open shore.